by Marni McGee & illustrated by John Winch ‧ RELEASE DATE: March 15, 2002
A small donkey narrates the story of his role in the first Palm Sunday procession in Jerusalem. His owner takes him to the village gate, where strangers ask for a donkey that has never been ridden. He is fearful and stubborn, but is led to a hillside, a grove of olive trees where there is a man in the midst of a crowd. The man is called Jesus and as soon as the colt sees him, he grows peaceful. He joyfully carries the man on his back with the people waving palms and throwing their cloaks on the path and the donkey knows that he is carrying a King. The donkey wishes to carry Jesus back to his hillside, where he will introduce him to his friends—the lizard, crow, cow, hen, and cricket. “My hillside will be a throne for him, and at night the stars will weave him a crown.” The lovely double-paged spreads are executed with impasto acrylic on handmade French watercolor paper. The city scenes are predominantly warm sienna colors highlighting the bricks and buildings while the country scenes are mostly rich blue-green and are a pleasant contrast to the city scenes. Endpapers are the patchwork colors of the cloaks worn by the people and thrown on the path of Jesus. A foreword cites the Gospel writers who tell the story of the Palm Sunday procession, especially Zechariah, Chapter 9, Verse 9: “See, your king comes to you, gentle and riding on a colt, the foal of a donkey.” The palm branches and the tradition of the Palm Sunday procession are also included. A gentle story that small children and parents can enjoy together. (Picture book. 4-6)
Pub Date: March 15, 2002
ISBN: 0-8234-1695-X
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
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by Suma Subramaniam ; illustrated by Sandhya Prabhat ‧ RELEASE DATE: Oct. 11, 2022
Visually appealing but doesn’t capture the spirit of namaste.
What does it mean to say namaste?
This picture book attempts to explain this traditional, formal greeting used in South and Southeast Asia to welcome people and bid them farewell—in particular, as a way to show respect to elders. A child with dark hair, dark eyes, deep-brown skin, and a bindi on their forehead goes to a market with their caregiver and buys a potted plant to give their lonely, lighter-skinned neighbor. Vibrant, textured illustrations depict a blossoming friendship between the little one and the neighbor, while a series of statements describe what namaste means to the child. However, the disjointed text makes the concept difficult for young readers to grasp. Some statements describe namaste in its most literal sense (“Namaste is ‘I bow to you.’ " “Namaste is joining your palms together”), while others are more nebulous (“A yoga pose. A practice.” “Namaste calms your heart when things aren’t going right”). The lack of backmatter deprives readers of the cultural context and significance of this greeting as well as knowledge of the countries and cultures where it is used. Moreover, the book doesn’t convey the deep respect that this greeting communicates. The absence of culturally specific details and the framing of namaste as a concept that could apply to almost any situation ultimately obscure its meaning and use. (This book was reviewed digitally.)
Visually appealing but doesn’t capture the spirit of namaste. (Picture book. 4-6)Pub Date: Oct. 11, 2022
ISBN: 978-1-5362-1783-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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by Eric A. Kimmel ; illustrated by Mike Wohnoutka ‧ RELEASE DATE: July 1, 2013
The now-classic tale’s humor still fosters eye-rolling laughter, with Wohnoutka’s illustrations as rib-tickling complement.
A well-used trope of misidentification allows a village elder to innocently open her home to a possible predator with humorous, even endearing results.
Despite her advanced age of 97 and her poor eyesight and hearing, Bubba Brayna “still [makes] the best potato latkes in the village.” When Old Bear is awakened from his winter sleep by the savory aroma of frying latkes and comes to her door, Bubba Brayna invites him in for a fresh batch, mistaking the bear’s rotund girth and bushy face for the heavy-set bearded rabbi’s. Heading straight for the kitchen, the growling bear is encouraged to play dreidel with nuts he chooses to eat, then devours all the latkes with jam like any hungry bear would. Sleepy and satisfied, he leaves with a gift of a red woolen scarf around his neck. After some investigating by the crowd that has gathered at Bubba Brayna’s door, which includes the actual rabbi, a new batch of potatoes are brought from the cellar, and with everyone’s help, Bubba Brayna hosts a happy Hanukkah. This newly illustrated version of The Chanukkah Guest, illustrated by Giora Carmi (1990), is a softer rendition, with acrylic paints and curved lines in tints of yellow, brown and green for warm, earthy atmosphere.
The now-classic tale’s humor still fosters eye-rolling laughter, with Wohnoutka’s illustrations as rib-tickling complement. (Picture book. 4-6)Pub Date: July 1, 2013
ISBN: 978-0-8234-2855-7
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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