Spare in both text and art, earnest in heart, limited in scope.
Various mothers and children have parallel experiences throughout their days.
Skrypuch treads familiar ground—separation anxiety is a major aspect of childhood development. But this tale isn’t full of tantrums or tears; instead, the kids in these families are shining examples of confidence and security. When one mother/child pair is separated, and a slight worry creeps in, the boy, bedecked in red-rimmed glasses, explains, “When Mama goes to work, / I know she misses me. / But she talks with friends / and thinks of me. / She knows that she’ll be back.” Likewise, he talks with his friends and thinks of his mother at the same time. Another girl hides a surprise in her mom’s lunch; her mom does the same for her. At noon, they both think of each other. The repetitious nature and parallel storytelling structure of each mother and child’s experiences can seem plodding, but it will likely be comforting to young worriers. Skrypuch follows only four families, but the variety of ethnicities and careers included is commendable, though it’s a darn shame that in 2014, the narrative focus is still exclusively on mothers. Sunny, cartoonlike illustrations add to the cheer (disregard the slightly creepy toothy smiles of some).
Spare in both text and art, earnest in heart, limited in scope. (Picture book. 2-6)Pub Date: March 15, 2014
ISBN: 978-1-55455-314-3
Page Count: 32
Publisher: Fitzhenry & Whiteside
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
So sweet it’ll have readers heading for their toothbrushes.
Another entry in the how-much-I-love-you genre.
The opening spread shows a blue elephant-and-child pair, the child atop the adult, white hearts arcing between their uplifted trunks: “You’re a gift and a blessing in every way. / I love you more each and every day.” From there, the adult elephant goes on to tell the child how they are loved more than all sorts of things, some rhyming better than others: “I love you more than all the spaghetti served in Rome, // and more than each and every dog loves her bone.” More than stars, fireflies, “all the languages spoken in the world,” “all the dancers that have ever twirled,” all the kisses ever given and miles ever driven, “all the adventures you have ahead,” and “all the peanut butter and jelly spread on bread!” Representative of all the world’s languages are “I love you” in several languages (with no pronunciation help): English, Sioux, French, German, Swahili, Spanish, Hawaiian, Chinese, and Arabic (these two last in Roman characters only). Bold colors and simple illustrations with no distracting details keep readers’ focus on the main ideas. Dashed lines give the artwork (and at least one word on every spread) the look of 2-D sewn toys.
So sweet it’ll have readers heading for their toothbrushes. (Picture book. 2-6)Pub Date: Dec. 4, 2018
ISBN: 978-1-4926-8398-8
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
BOOK REVIEW
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