One can almost imagine a modern-day minstrel singing the poetic prelude that recounts Kelly Ray’s heroin addiction and negligence, which almost led to her baby sister’s death, and that suggests, “This, if not quite a fairy tale. This, Reader, is a love story.” This day—and one night—of Kelly, now 19, drug-free for two years, and a talk-show assistant, begins with her trying to rectify her aunt/caretaker and radio talk-show diva of Talk Now, Kit Carpenter’s botched interview with singing sensation Simone Sanchez. Posing as a delivery girl, Kelly makes her way to Sanchez’s penthouse, but security is extremely tight, as Dakota City, Minnesota, hosts a global conference on the war-torn European country Lakveria. This opportunity leads to a propitious meeting with Prince Tomas Teronovich, heir apparent to Lakveria, and outwitting his bodyguards, in turn, leads to a whirlwind night for both young adults. Poring over historic maps, dining on Thai food, attending a Judy Garland sing-along festival, and watching the sunrise, the adventure culminates in an effort to bring attention to the horrors in Lakveria. While Kelly’s plan from the beginning is to lure Tom into Kit’s talk-show lair, neither teen expects the night to be a life-changing event that lets them open their hearts to love and battle their demons. And neither Kelly, who’s lived all her life in Dakota City, and Tom, Paris-born, Texas-raised, and Britain-educated, would have imagined that their lives are so similar. Qualey (Close to a Killer, 1999, etc.) proves once again that strong characterization is her forte. Her gentle blend of political intrigue and bittersweet romance will leave readers believing that one night really can make a difference. Kelly’s final advice to Tom is “Be good at what you do,” and Qualey certainly has. (Fiction. YA)
Pub Date: May 1, 2001
ISBN: 0-8037-2602-3
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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