INTO THE BLOODRED WOODS

In this dark fantasy woven together from reimagined fairy tales, a werebear princess and her cruel twin brother vie for inheritance of their father’s crown.

Once upon a time, a story unfolds after a farmer lies to a king, saying that his daughter can spin grass into gold. In this kingdom, the first-born—always a boy—inherits. But when the common-born queen gives birth to twins, first a werebear girl, then a human boy, no one can agree who has the right of succession. Princess Ursula believes in her claim to the throne: Under her benevolent rule, she’d overturn unjust laws that oppress other werefolk. Full of contempt for his sister, Albrecht, the vicious, vain prince, plots his own ascent, no matter the cost. With precise, and poetic prose, Brockenbrough twists and intertwines familiar tales—“Hansel and Gretel,” “Little Red Riding Hood,” “Rumpelstiltskin,” and “Goldilocks,” among others—to craft an intricate, cohesive narrative framed as a story within a story. Ursula and Albrecht are White; the ensemble cast of primary characters includes two brown-skinned women, one of whom has a fraught emotional relationship with the princess. Injustice, misinformation, and consent are significant themes. While at times the depictions of violence (including sexual assault) are visceral and brutal, this stand-alone journey into grim woodlands arrives at a subversive resolution more satisfying than a traditional happily-ever-after.

Unflinching, bloodstained magic.