This advancement of patriarchy is way past its sell-by date.
Anthropomorphic animals hold a presidential vote in this story originally published in France in 2012.
In a land inhabited by big-eyed, anthropomorphic animals, the male lion is always elected president. Every five years he asks, “Who’s voting for me?” and all the animals give him their votes, after which they “have as much cake and strawberry-coconut juice as they [want].” But when a mouse challenges this practice and says there should be more than one candidate, the other animals get on their candidate soapboxes—and some clever political satire follows. After the secret vote is held, each candidate, one per animal group, has received one vote except for the lion, who didn’t vote. (The system represented seems to be quasi-parliamentary—only each group’s representative has a vote—making this a poor primer for U.S. electoral politics.) Chaos ensues as each new president engages in partisan self-interest. Disenchanted, the mouse seeks out the lion to help—which the lion agrees to do by becoming president again. This theme of patriarchy is reinforced by subtle misogynistic messages: The female ostrich is depicted as silly, the female carp as unintelligible, and the lioness as merely a helpmate to the lion. There’s also a not-so-subtle message about initiative: Don’t bother, the story seems to say, since only the lion is wise enough to preside over a diverse population. The colorful, well-rendered illustrations are lively and often amusing in their clever depictions of animals’ expressions and actions.
This advancement of patriarchy is way past its sell-by date. (Picture book. 5-8)Pub Date: April 28, 2020
ISBN: 978-0-8028-5543-5
Page Count: 40
Publisher: Eerdmans
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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