Smith (Red Square, 1992, etc.) not only sets his exuberant, sly new novel in Victorian England but goes Victorian novelists one better, conjuring up a plot device at the heart of this mystery that Dickens would envy. Set in the town of Wigan, in Lancashire, this latest from Smith doesn't simply evoke the past, it plunges us into the gritty reality of a mid-19th-century community dominated by its vast coal mines. We learn an extraordinary amount about the brutal world of mining, but more importantly we come to feel a part of Wigan, so actual do its streets and inhabitants seem. It's this dense world that lingers: The plot is, with its one exception, a rather unsurprising mystery. Jonathan Blair, a mining engineer and explorer who has returned from Africa under a cloud (there are rumors of fraud), is summoned by his erstwhile employer, Bishop Hannay (who owns much of Wigan, including its largest coal mine), and set on the trail of the fianceÇ of Hannay's daughter Charlotte. John Maypole, a fervent young minister, had disappeared on the same day that an explosion in Hannay's mine killed 75 men. Charlotte, bright, acerbic, radical, takes an immediate dislike to the laconic Blair. He, in turn, is fascinated by Rose Molyneux, a remarkably independent ``pit girl'' (women employed by the mines, pit girls are notorious in England for their clothes—they wear trousers under vestigial dresses—and the supposed easiness of their morals). Blair is menaced by two miners, blithe sadists determined to stop his inquiry. A dogged, shrewd investigator, he takes a huge amount of punishment before uncovering Maypole's sad fate. And, in the midst of a dangerous affair with Rose, he discovers the remarkable scheme linking her and Charlotte Hannay. It's a dazzling moment. Blair, Rose, and Smith's other characters are wonderful creations, robust and distinctive. The crimes here are unremarkable, but the world evoked is memorable, glowing with life. (Author tour)
Pub Date: May 1, 1996
ISBN: 0-679-42661-2
Page Count: 368
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 1996
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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