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TAKING LONDON

WINSTON CHURCHILL AND THE FIGHT TO SAVE CIVILIZATION

A lead balloon of a book.

A ham-fisted account of the Battle of Britain.

A frequent collaborator with Bill O’Reilly in the gee-whiz school of history, Dugard does not confront a fact without spinning it into the moral equivalent of a tweet, as these two complete paragraphs suggest: “The British like Hitler. A lot.” One of the author’s glancing examples is that of the future King Edward VIII teaching his niece, the future Queen Elizabeth II, how to do the Nazi salute. Alas for Hitler, Winston Churchill wasn’t buying it. Churchill looms large over this narrative, though Dugard peppers the text with characters straight out of a 1960s epic film, including heroic soldiers and RAF pilots, sneering Nazis, children’s toys lying in ruined streets. For all the purple flourishes, the author takes care with the historical details. He extensively analyzes Britain’s reluctance to enter into armed conflict with Germany, as well as the Nazis’ going for broke on the air war in the summer of 1940, sending wave after wave of bombers until, finally, Britain’s war machine kicked into gear and “the workers, skilled and unskilled, men and women alike, stood to their lathes and manned the workshops under fire as if they were batteries in action.” Those words are Churchill’s, by far the better writer than Dugard, who favors chyronworthy telegraphic prose. Entire paragraphs again: “A single German U-boat could kill the highest levels of Anglo-American leadership with a single well-placed torpedo.” “The Germans are coming back.” “And yet five German bombs will make this morning quite unforgettable.” That the narrative is full of action is thanks to the facts of the matter, which don’t really need Dugard’s breathlessness. Readers with an interest in the early years of World War II would do better to read Churchill’s Their Finest Hour.

A lead balloon of a book.

Pub Date: June 11, 2024

ISBN: 9780593473214

Page Count: 352

Publisher: Dutton

Review Posted Online: May 2, 2024

Kirkus Reviews Issue: June 1, 2024

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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