Seventeen tales, from the Creation to Jonah, carefully chosen to demonstrate that ``God wants everyone to trust in Him,'' recounted in an easy, colloquial manner and recommended for reading ``with the Bible, and not instead of it.'' Waddell's simplifications are very accessible but not irreverent—God ``took one of Adam's ribs and made Eve from it, so that in an odd way they were one person''; ``It may have seemed simple enough to God who can do anything, but it was a huge job for poor Noah''; or, ```This boasting has got to stop!' Jacob told Joseph. `What kind of a dream is that?''' Problematic stories—Cain killing Abel, Abraham offering to sacrifice Isaac, Jacob cheating Esau or being tricked into marrying Leah, the plagues inflicted on Egypt- -are omitted, together with most of the violence and vengeance. Leaving out Benjamin's special relationship to Joseph weakens their story, but otherwise the selections make an appealingly informal introduction that reinforces Waddell's theme. Patterson's bold and colorful illustrations contribute handsomely to the format; most are in the spirit of the text (though Goliath looks like a good-natured Elizabethan). A lively and attractive rendition that should find many uses. (Nonfiction. 6-10)
Pub Date: Aug. 1, 1993
ISBN: 0-395-66902-2
Page Count: 70
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)
Pub Date: April 1, 1992
ISBN: 0-679-91052-2
Page Count: 48
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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