THE BUTTERFLY'S DAUGHTER

A young woman follows the path of the monarch butterflies in their autumnal migration to Mexico.

Luz Avila, a factory worker in Milwaukee, lives with her Abuela (grandmother) Esperanza. Abuela raised her when her mother Mariposa, named after the monarch butterflies Abuela loves, disappeared. Both Abuela and Luz believe Mariposa died long ago. But when Abuela receives an unsettling phone call from her other daughter in Texas, she plans a trip to Mexico with Luz, to visit the mountain sanctuary where monarch butterflies are already beginning to trickle in from their northern feeding and mating grounds. It is an Avila family tradition for mothers and daughters to visit a precipice overlooking the canyon groves where the monarchs gather en masse, and to recall the Aztec goddess who sacrificed herself so that creation could begin. After Abuela’s sudden death from a heart attack, Luz vows to make the trip on her own. Ignoring warnings from her mechanic boyfriend Sully, Luz drives away in her grandmother’s rusted Volkswagen with a cardboard box containing Abuela’s ashes in the backseat. After her car dies in Chicago, Luz works at a taqueria to pay for repairs, then continues her journey, this time with a very pregnant new friend, Ofelia, who’s fleeing her abusive lover, and Ofelia’s chihuahua Serena. There’s a stop in Kansas where Ofelia is taken in by her former employers at a nursery, and Luz meets a field entomologist, Billy, who teaches her how to tag monarchs. Luz continues on her journey, now accompanied by Margaret, a buttoned-down botanist who wants to escape her stultifying life. The POV shifts abruptly to Mariposa, alive after all and slowly recovering from multiple addictions and a vaguely unsavory past with the help of a Native American equestrian healer. She is agonizing over why a message left for her mother in Milwaukee has gone unanswered. Slowed by a plethora of preachy maxims, the story creeps to a predictable close.

The butterflies are the most colorful characters here.