by Mary Ann Hoberman & illustrated by Nicholas Wilton ‧ RELEASE DATE: May 1, 2001
Layering paint, gesso, and natural objects thinly atop scraped concrete surfaces, Wilton (Where Does the Butterfly Go When It Rains?, 1997, etc.) places stylized flora and fauna into subdued settings suggestive of passing seasons. Hoberman’s (The Marvelous Mouse Man, p. 493, etc.) accompanying verse is also more evocative than specifically descriptive: “In spring the wind whips up a kite. / Right outside my window. / Silver raindrops catch the light / Right outside my window,” etc. Painting in a similar style, but on plywood, Stefano Vitale achieved a warmer look in Charlotte Zolotow’s When the Wind Stops (1995); pair these two together for an illuminating study in contrasting visual textures, but stick with the latter for an emotionally richer commemoration of time’s passage. (Picture book. 6-8)
Pub Date: May 1, 2001
ISBN: 1-59034-194-5
Page Count: 32
Publisher: Mondo Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 3, 2021
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by Chris Van Allsburg & illustrated by Chris Van Allsburg ‧ RELEASE DATE: Oct. 28, 2002
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
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