by Mary Auld ; illustrated by Elisa Paganelli ‧ RELEASE DATE: Oct. 13, 2020
Appealing and informative—a perfect harmony.
Conductor Simon auditions musicians, introduces their instruments, and builds an ensemble modeled on the London Symphony Orchestra.
This well-organized introduction to the symphony orchestra features clear explanations, lively illustrations of players and their instruments, and examples of the sounds of particular instruments from LSO performances (available for download via a QR code). There are also two full pieces, Ravel’s “Boléro” and Beethoven’s Symphony No. 6. The story arc introduces the conductor, a White man with graying hair who loves music and wants to share it. To do that, he must build an orchestra, section by section, instrumental family by instrumental family. Each spread includes several short paragraphs of narrative, some infobits marked with a hashtag/sharp symbol, and a short description of what to listen for in the audio example, all accompanied by cheery images that are both realistic and imaginative. These include allusions to the musical selections—a faun, a firebird, a sugar-plum fairy, and so forth. Readers who enjoy poring over illustrations can follow particular characters throughout. Both auditioners and performers are racially diverse, and some are clearly modeled on current LSO personnel. After auditions, there are rehearsals and, finally, a performance. (Here, the vignettes include an appreciative audience.) The backmatter offers a pictogram of the orchestra with its standard seating and further information about the particular musical selections. LSO conductor Sir Simon Rattle provides an introduction, and LSO educator Rachel Leach gets title page credit for “musical support."
Appealing and informative—a perfect harmony. (glossary, index) (Informational picture book. 6-10)Pub Date: Oct. 13, 2020
ISBN: 978-1-62371-871-8
Page Count: 48
Publisher: Crocodile/Interlink
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 1, 2020
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Chris Paul & illustrated by Frank Morrison
by Andrew Young & Paula Young Shelton ; illustrated by Gordon C. James ‧ RELEASE DATE: Aug. 2, 2022
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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