Not to be missed, and definitely not to be imitated.
Carter’s second thriller is a searing contemporary take on Daphne du Maurier’s classic neo-Gothic Rebecca.
What unites Marguerite Gray and Phoenix Sullivan most closely is their shared love of Rosecliff, the Grays’ 20-acre Connecticut estate, which lifestyle influencer Marguerite, who’s been cut off from her old-money family’s wealth, writes about ardently and influentially even though Phoenix, a member of Frank Brizzi’s gardening crew, is the one who tends it most lovingly. The two women’s symbiotic but profoundly unequal relationship is threatened by a series of escalating calamities. The first doesn’t seem like a calamity: Phoenix saves ex-attorney Geoffrey Gray, Marguerite’s husband and partner in the charity Greenhaven Gardens, from being crushed to death by a falling spruce tree. But then Geoffrey makes advances to Phoenix, slowly wears her down and takes her to bed, and fosters her undying love for him. Matters come to a head when a confrontation between Phoenix and Marguerite, who’s grown steadily more suspicious of the gardener, ends with the lady of the manor plunging from a cliff. Geoffrey wastes no time in getting Phoenix to move in, and he’s clearly ready to move on. But his staff isn’t, and Taylor Gray, his razor-sharp law student daughter, also isn’t. Nor, most movingly, is Phoenix herself, who’s tormented by accusatory visions of Marguerite, conflicts real and imagined with everyone she turns to, and the crushing certainty that she’s never going to be seen as a replacement or a legitimate successor to the first wife of her lover, who inevitably turns out to be hiding secrets of his own.
Not to be missed, and definitely not to be imitated.Pub Date: May 20, 2025
ISBN: 9781250790385
Page Count: 304
Publisher: Minotaur
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
This complicated gothic thriller of dueling spouses and homicidal writers is cleverly plotted and neatly tied up.
An unhappy British couple attempt to rekindle the magic with a weekend trip to a remote spot in Scotland.
How is she tricking me? Feeney, the author of Sometimes I Lie (2017) and His and Hers (2020), has trained her readers to start asking this question immediately with her puzzle-box narratives. Well, you won't find out here. Only the basics: Amelia's won a weekend getaway in an office raffle, and as the novel opens, she and her screenwriter husband, Adam, who suffers from face blindness, along with their dog, Bob, are miserably making their way through a snowstorm to a destination in the Scottish Highlands which is no Airbnb Superhost, that's for sure. A freezing cold, barely converted church with many locked rooms and malfunctioning electricity, the property also features a mysterious caretaker who has left firewood and a nice note but seems to be spying through the window. Both Adam and Amelia seem to be considering this weekend the occasion for ending the marriage by any means necessary—then Bob disappears. The narrative goes back and forth with first-person chapters by Amelia and Adam interleaved with a series of letters written to Adam on their anniversary through the years and keyed to the traditional gifts: paper, cotton, wood, leather, etc. There's also a rock and a scissors, referring to the children's game of the book title, which the couple use to make everyday decisions like "Should we stay together?" Offstage is the famous writer Henry Winter, whose novels Adam has made his fortune adapting; through several author-characters, Feeney weaves in sometimes-grim observations about the literary life. On meeting a sourpuss cashier at the rural grocery store: "The woman wore her bitterness like a badge; the kind of person who writes one-star book reviews."
This complicated gothic thriller of dueling spouses and homicidal writers is cleverly plotted and neatly tied up.Pub Date: Sept. 7, 2021
ISBN: 978-1-250-26610-1
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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