A touching novel that follows a 14-year-old as she becomes intrigued by a homeless, disturbed vet and tries to "help" him. Underachiever Kelly plans to be an artist—a real one, not just a drawer of greeting cards like her mother. She certainly is not going to turn into a materialistic lawyer like her father. When she has to write a paper on a current issue, she chooses homeless people and starts watching a man in the public library. She first approaches him in a typical teen-ager's Flippant, mocking manner, until stopped by a librarian who firmly tells her to mind her own business. Feeling a mixture of embarrassment, concern, and a wish to prove that she is not really heartless, Kelly then tries to force the man to talk and accept food and clothing. Eventually, he becomes so upset that he throws a magazine at her, giving the people who have been repelled by his smell and strangeness an excuse to forbid him access to the library. Shortly afterwards, when the man is run over and killed, Kelly has to deal with some strong guilt feelings. In trying to sort out her emotions, she quarrels with her father—a vet who has blocked his own memories. Finally, Kelly and her father take a trip together to the Vietnam Memorial; while in Washington, they each manage to do some healing. Kelly is a believable young woman with strengths and weaknesses that are clear to the reader, if not to herself—she's not ridiculous or unlikable, just a normal girl with quirks. Her mixture of compassion and anger is well drawn. The fact that many teenagers are fascinated by the Vietnam War and its consequences may give this novel a fairly wide appeal.
Pub Date: Sept. 23, 1988
ISBN: 0380707640
Page Count: 196
Publisher: Clarion Books
Review Posted Online: April 27, 2012
Kirkus Reviews Issue: Aug. 15, 1988
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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