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THE PRINCESS AND THE PIZZA

The Auch husband-and-wife team (I Was a Third-Grade Spy, 2001, etc.) successfully collaborate on their first picture book, a delightful fairy-tale hodgepodge with a wonderful message about happily-ever-after. In an unexpected career change, Princess Paulina’s father moves the family out of the castle and takes up woodcarving. But Paulina misses the job of princess. So when she hears that Queen Zelda is searching for a true princess to marry her son, she dusts off her tiara and tucks some garlic into her bodice for good luck (along with some sweet-smelling herbs to cover up the stench). The 12 competing princesses must pass several tests, including such time-honored favorites as the pea-under-the-mattress trick and the trying-on of the glass slipper. Finally, only three remain for the cooking test. But by this time, Paulina’s sassy comments have not made her the favorite of the Queen. Her competition leaves her with little in the way of ingredients, and Paulina’s attempts at cooking make only a gloppy mess. In desperation, Paulina stirs the fireplace coals, throws the garlic on the conglomeration for good luck (along with some sweet-smelling herbs to cover up the stench), and begins to plan her escape. But lo and behold, her meal is the favorite, and she inadvertently christens it “pizza.” However, in a move similar to Elizabeth’s in Robert Munsch’s Paper Bag Princess (1988), Paulina decides she doesn’t want to marry Prince Drupert after all, especially if it means having Zelda for a mother-in-law. So she goes back to the village and opens The Pizza Palace, where Zelda and Drupert dine every Thursday. Herman Auch’s brightly colored drawings add humor and detail to the story: Prince Drupert looks the part of royal drip, Queen Zelda fits the stereotype of grouchy mother-in-law, and Paulina’s expressions are especially revealing. With its can-do heroine and its message of “marriage isn’t everything,” this will appeal to everyone—but should definitely be required reading for young girls. (Picture book. 4-8)

Pub Date: March 15, 2002

ISBN: 0-8234-1683-6

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2002

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TROUBLE WITH CHILDREN (ACCORDING TO DOG)

This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.

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In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.

“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.

This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.

Pub Date: July 16, 2024

ISBN: 9781736267370

Page Count: 40

Publisher: A Little Offbeat Publishing

Review Posted Online: April 26, 2024

Kirkus Reviews Issue: June 15, 2024

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