A palatable historical novel that holds the nostalgia.
Seattle novelist Morgan’s (Deeper Waters, 2002, etc.) folksy history lesson revisits a small Welsh town 20 years after the Americans ran through in WWII.
It’s 1968, the Vietnam War rages, and young American Tim Bruce sets off on his Grand Tour of Europe after graduating from Berkeley. Hoping to dodge the draft, and having overheard his pompous law-professor father, Carlton, mention the Welsh town of Clarrach, where he once knew a beautiful girl named Gwyneth Griffiths, Tim decides to head there first (“Maybe he’d discover something about his father he didn’t know already”). And, sure enough, there does exist such a lady near the cliff-town of Clarrach, on the west coast of Wales, the respectable wife to Dr. Rhys Edwards. They welcome the naive American, who has been accepted to Harvard Medical School though he’s not sure he wants to become a doctor. Rhys, a Welsh nationalist who makes no attempt to hide his scorn of what he considers the failed experiment of American democracy, mentions, in a cruel aside, the death of Tim’s political hero Robert Kennedy, then later takes him on rounds to let him see what real doctors do. The past story of Gwyneth and Carlton’s relationship gradually, painfully unfolds, involving a baby born out of wedlock and a gruesome beating-murder of a black GI by his racist fellow soldiers jealous of then-teenaged Gwyneth’s attentions. All the while, naturally, Tim falls wildly in love with the alluring, elusive Gwyneth, and their attraction nicely sparks Oedipal electricity. English-born author Morgan deftly incorporates some forbidden history of the American presence in the country during WWII—“Overpaid, oversexed, and over here”—and she clearly relishes Welsh history and culture. After the initial heavy-handed plotting (clumsy Tim keeps hurting himself so that he has to stay with the Edwardses), Morgan conveys a story that seems to strain on its own to be heard.
A palatable historical novel that holds the nostalgia.Pub Date: June 1, 2005
ISBN: 0-312-34135-0
Page Count: 304
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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