adapted by Mary Pope Osborne & illustrated by Troy Howell ‧ RELEASE DATE: Sept. 1, 1993
Osborne admits that when she began to collect mermaid tales she expected to find in them a ``typical legendary heroine— beautiful, kind, and in need of rescue.'' She was startled to find water-maids more commonly portrayed as powerful, strong-willed, and independent. These 12 examples certainly bear her out: in medieval France, Melusine saves her human husband from punishment for accidentally killing his father; a Cornish mermaid drags a soldier to his death for callously abandoning her human ward; a young Ukrainian finds Nastassia of the Sea ``bold and remarkable''—and very hard to woo. Similarly, in tales from Asia, Africa, and North America, mermaids (in one case, a merman) become friends, make bargains, or fall in love with land-dwellers, generally (but not always) to someone's regret. As in Osborne's Favorite Greek Myths (1989), each tale opens with one of Howell's sumptuous, romantic paintings; here, he displays his technical skill in expert evocations of a succession of traditional national and historical styles. Osborne has edited or rewritten her selections—even Andersen's ``The Little Mermaid''—but appends explanatory source notes and a bibliography. A handsome, engrossing eye-opener. (Folklore. 10+)
Pub Date: Sept. 1, 1993
ISBN: 0-590-44377-1
Page Count: 96
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
Share your opinion of this book
More by Mary Pope Osborne
BOOK REVIEW
by Mary Pope Osborne ; illustrated by Sal Murdocca
BOOK REVIEW
by Mary Pope Osborne ; adapted by Jenny Laird ; illustrated by Kelly Matthews & Nichole Matthews
BOOK REVIEW
by Mary Pope Osborne ; illustrated by Sal Murdocca
by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
Share your opinion of this book
More by Andrew Clements
BOOK REVIEW
by Andrew Clements ; illustrated by Brian Selznick
BOOK REVIEW
BOOK REVIEW
by Francesco D’Adamo ‧ RELEASE DATE: Nov. 1, 2003
This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)
Pub Date: Nov. 1, 2003
ISBN: 0-689-85445-5
Page Count: 128
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
Share your opinion of this book
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.