Switching genders in another traditional tale, the author and illustrator of Kate and the Beanstalk (2000) pit a clever, doughty seamstress against a swarm of flies (“Seven At One Blow”), three giants, a unicorn, a wild boar, and, most dangerous of all, a fearful king with a hundred knights. Whether facing wild beasts, or surrounded by large (sometimes very large) pale, purse-lipped men, the seamstress visibly exudes self-confidence, and though Potter places her in a medieval setting—and the way the heroine addresses her adversaries (“ ‘Hey! Unicorn! . . . Over here!’ ”)—gives this rendition a contemporary flavor. In the end, the seamstress sends the king and 99 of his knights packing; the 100th, who admires her spirit, sticks around to become king and inherit the kingdom with her. As the story is about courage and cleverness overcoming brawn, it’s actually improved by a protagonist even smaller and weaker than the tailor in the original—even more so, as Osborne points out in the source note, since its best-known versions, from the Brothers Grimm and Andrew Lang, were probably collected from female storytellers. (Picture book/folktale. 7-9)
Pub Date: May 1, 2002
ISBN: 0-689-84486-7
Page Count: 40
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)
Pub Date: Sept. 1, 2003
ISBN: 0-15-216472-3
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
