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THE ROTTEN BOOK

The Rotten Book is really two books, a worldly satire and a simple, rather old-fashioned cautionary tale. The trouble starts — for Simon and the reader — at the breakfast table where Simon is dawdling with his egg and his father is holding forth on a "rotten" little boy who's ungrateful for what he has (which matches what Simon has) and who's "going to land up in jail one of these days." Whereupon Simon, wondering what the boy did, goes through a day of being absolutely rotten to everyone and everything. When he's put Silly Putty in his sister's hair, cut it all off, locked her in a closet, and turned on the hi-fi and TV and FM so that no one can hear her, he gets his come-uppance; policemen and firemen are called to find her and when they do, Simon is taken away handcuffed while his family cheers. "He'd probably spend the rest of his life in jail (and) never even get an egg for breakfast." Cut to the breakfast table where Simon praises the egg and proceeds to behave like a model boy. The father's self-righteous condemnation of a little boy ìs odd to start with, and if he and Simon's mother are going through this elaborate charade on behalf of an egg, it's ludicrous. Either way, father's letter-perfect pompous and in today's context (and today's plots), the child is supposed to rebel, not capitulate. If he were to rebel, jail's not the timeliest deterrent; if it's meant simply as a warning, there are others more suitable. And suppose he didn't eat the **** egg — would he have to feel rotten?

Pub Date: Sept. 24, 1969

ISBN: 0064430812

Page Count: 36

Publisher: Harper & Row

Review Posted Online: May 8, 2012

Kirkus Reviews Issue: Sept. 1, 1969

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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