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THE MYSTERY OF THE WOODS

When Will Fanshaw protested the clock and calendar routine imposed by his Grandfather, the old man assured him, "Change is a very bad thing." He said "As a rule" and had one for everything. None of these had ever been broken until Tom Kitten arrived. It was stormy, the door had been looked for the night on schedule, but after much soul searching, the Grandfather let him in. Tom, of course, had his own set of rules. The foremost seemed to be to get out nights to the woods that bordered their cottage. This was absolutely forbidden territory because the Grandfather had a rule about not going near them. One night, Tom slipped out when the locked door was reluctantly opened to a policeman. Will and his Grandfather went to search for him. They were lost in the never-before-investigated woods. The fierce animals that the Grandfather had suspected there, turned out to be small animals quietly going about their own routines. With catly assurance, Tom Kitten found them and led the way home. There, a re-examination of the rules by a newly thoughtful Grandfather led to a separation of the inconsequential from the sensible and necessary. The watercolor illustrations catch the air of a starkly ordered existence as well as the gloom of the night in the woods. Easy to tell or read aloud or to read alone, the story has comfort for the rule-bound as well as some reminders for chronic rule breakers.

Pub Date: May 6, 1964

ISBN: 0060259361

Page Count: -

Publisher: Harper & Row

Review Posted Online: May 9, 2012

Kirkus Reviews Issue: May 1, 1964

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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