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THE LOST DAUGHTER

A MEMOIR

A compassionate tale of soul-searching and family love.

A tender memoir of love and redemption.

Born during the civil rights movement to Black Panther Party parents, Williams (Brothers in Hope: The Story of the Lost Boys of Sudan, 2005) grew up in a tough neighborhood of Oakland, Calif., where "the world was caught up in a swirling storm of violence, revolutionary zeal, sexual freedom, and creative expression." Her father was in and out of prison, her mother struggled with alcoholism, and her older sister became a prostitute, so when Williams was raped, she felt it was almost destiny, that she "had been subtly groomed to be a victim all [her] life. . .I believe I experienced a feeling almost of relief, that this unavoidable event had finally caught up with me." Then actress and activist Jane Fonda stepped in and gave the bright 16-year-old girl a new life. And for 30 years, Williams avoided looking backward to her birth mother and rough beginnings. She worked in Morocco, Tanzania, Antarctica and Alaska. She hiked the Appalachian Trail and mingled on movie sets with Fonda's co-workers. And yet, she never felt quite at peace, as she was still full of repressed anger over the neglect and abuse she received as a child. She struggled "to keep the beast caged" and writes of her feelings in her 40s, "I was an emotional chimera of a two-year-old and a sulking teenager, extremely sensitive to even the most benign criticism or perceived insult." Her anger went outward toward everyone, including Fonda, who had provided so much for Williams. However, Williams' anger could only last so long before she realized she needed to change. In heartwarming prose, the author explains how she eventually reunited with her siblings, their children and finally her birth mother.

A compassionate tale of soul-searching and family love.

Pub Date: April 9, 2013

ISBN: 978-0-399-16086-8

Page Count: 320

Publisher: Blue Rider Press

Review Posted Online: Feb. 24, 2013

Kirkus Reviews Issue: March 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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