A DUPATTA IS . . .

A dupatta contains multitudes.

A child with light brown skin and short hair admires a dupatta, an oversized scarf worn throughout the South Asian subcontinent and beyond. While the narrator first refers to the dupatta as “fabric,” they are quick to add that it is also so much more. A dupatta is a “swooshing, swashing” sound; it is the scent of spices and incense. A dupatta can serve many purposes, including providing protection from rain and wind, veiling a person’s face, and even rocking a baby to sleep. In the hands of a child, a dupatta can be a plaything. But whether it is from Quetta or Kashmir, whether worn in weddings or during political speeches, whether used for blanket forts or prayer, and whether embellished with “beads, lace,” or “sequins,” above all, “a dupatta is identity.” Very similar in form to Kevin Noble Maillard’s Fry Bread (2019), illustrated by Juana Martinez-Neal, this rhythmic description of a dupatta’s importance in a South Asian Muslim family is an affectionate homage. Vibrant illustrations feature large-eyed individuals with a variety of skin tones, though only female-presenting characters are shown actually wearing a dupatta. Some metaphors feel like a stretch, but generally, the book’s warm, well-chosen language depicts a joyful, accurate representation of a dupatta’s multigenerational importance in family life. (This book was reviewed digitally.) 

A lyrical, multisensory celebration of a South Asian garment.