by Masha Gessen ‧ RELEASE DATE: Oct. 3, 2017
A superb, alarming portrait of a government that exercises outsize influence in the modern world, at great human cost.
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A brilliant if somber look at modern Russia, a failed democracy, by prizewinning journalist Gessen (The Brothers: The Road to an American Tragedy, 2015, etc.).
First there were the serfs, and then “Homo Sovieticus,” the gloomily obedient men, women, and children who waited in bread lines and slaved in mines and factories. Are they the avatars of the good old days? With Vladimir Putin’s rise and increasingly absolutist rule, there may be something to the old saw that the Russian soul craves authoritarianism. Yet, as Gessen, who has written extensively on Putin, writes, that may flat out not be so. As she notes in this urgent chronicle, examining the Russian character through sociological instruments was frowned on, even banned, until the late 1960s, when Yuri Levada, who turns up at several points in this long narrative, began to look at how ordinary Russians thought about their society. For one thing, later surveys showed that although some wanted “rockers,” “hippies,” and “pederasts” (read: homosexuals) to be “liquidated,” a far larger number advocated tolerance, especially younger Russians. Those younger Russians are the focus of the author’s character-driven approach, a kind of nonfiction novel that compares favorably to the work of Svetlana Alexievich. One of Gessen’s cases in point, a still-youngish woman named Masha, has learned to work every angle thanks to a resourceful mother who, among other things, figured out ways to “teach Soviet Jews to beat the anti-Semitic machine.” By all rights, Masha, entrepreneurial and smart, ought to be in the forefront of Russian development, but having run afoul of Putin’s regime, she is effectively a nonperson, “a de facto political prisoner.” So it is with Zhanna, whose father, opposition leader Boris Nemtsov, was gunned down on a Moscow bridge in 2015, “with the Kremlin as the backdrop for the murder.” All Gessen’s players harbor the low-level dread on which totalitarian regimes thrive—and all, a refrain has it, believe that their country is dead.
A superb, alarming portrait of a government that exercises outsize influence in the modern world, at great human cost.Pub Date: Oct. 3, 2017
ISBN: 978-1-59463-453-6
Page Count: 528
Publisher: Riverhead
Review Posted Online: Aug. 5, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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PROFILES
SEEN & HEARD
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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