Gleefully lurid fun.
A bored, sadistic AI terrorizes a couple and their guests.
Agoraphobic robotics engineer Henry can’t bring himself to leave the house he shares with his wife, pregnant computer engineer Lily. Consequently, his lab is in the attic and he relies on Lily to procure whatever supplies he needs. Thanks to Henry’s efforts, the residence has military-grade security and is “cybernated to a degree far beyond the capacity of any store-bought smart device or talking appliance.” Toys such as a giant mechanical dog and a bike-riding doll rove the rooms under their own power. And then there’s Henry’s main project, William—an independent AI capable of creative thought and seated inside a legless robot with bulging eyes and fake rubber skin “the color of curdled milk.” Henry keeps William locked in the lab, hidden even from Lily—allegedly because William isn’t ready, but in truth because he unnerves Henry. Then Lily invites work friends Paige and Davis over for brunch. After Henry sees Lily and Davis being surreptitiously affectionate, he panics and interrupts by offering to introduce his creation. Lily, Paige, and Davis are initially stunned by William’s conversational skills, but that astonishment turns to fear when William intentionally injures one of them. “While I can’t feel,” he explains, “I can bear witness to feeling. Create it in others. Amplify it. And what experience is more profound than suffering?” This callousness coupled with William’s thirst for knowledge and mastery of the too-smart home’s controls portend trouble for everyone involved. Though some moments of this cinematic tale truly terrify, the back half takes a turn toward camp, lessening the overall impact. Still, the pseudonymous Coile maximizes his premise’s inherent tension using nightmare imagery and an uneasy third-person-present narration shot through with powerlessness, paranoia, and dread.
Gleefully lurid fun.Pub Date: Sept. 10, 2024
ISBN: 9780593719602
Page Count: 224
Publisher: Putnam
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
IN THE NEWS
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
More like a con than a truly satisfying psychological mystery.
What should be a rare horror—a woman gone missing—becomes a pattern in Kubica's latest thriller.
One night, a young mother goes for a run. She never comes home. A few weeks later, the body of Meredith, another missing woman, is found with a self-inflicted knife wound; the only clue about the fate of her still-missing 6-year-old daughter, Delilah, is a note that reads, "You’ll never find her. Don’t even try." Eleven years later, a girl escapes from a basement where she’s been held captive and severely abused; she reports that she is Delilah. Kubica alternates between chapters in the present narrated by Delilah’s younger brother, Leo, now 15 and resentful of the hold Delilah’s disappearance and Meredith’s death have had on his father, and chapters from 11 years earlier, narrated by Meredith and her neighbor Kate. Meredith begins receiving texts that threaten to expose her and tear her life apart; she struggles to keep them, and her anxiety, from her family as she goes through the motions of teaching yoga and working as a doula. One client in particular worries her; Meredith fears her husband might be abusing her, and she's also unhappy with the way the woman’s obstetrician treats her. So this novel is both a mystery about what led to Meredith’s death and Delilah’s imprisonment and the story of what Delilah's return might mean to her family and all their well-meaning neighbors. Someone is not who they seem; someone has been keeping secrets for 11 long years. The chapters complement one another like a patchwork quilt, slowly revealing the rotten heart of a murderer amid a number of misdirections. The main problem: As it becomes clear whodunit, there’s no true groundwork laid for us to believe that this person would behave at all the way they do.
More like a con than a truly satisfying psychological mystery.Pub Date: May 18, 2021
ISBN: 978-0-778-38944-6
Page Count: 352
Publisher: Park Row Books
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
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