by Matei Calinescu ; translated by Adriana Calinescu & Breon Mitchell ‧ RELEASE DATE: March 6, 2018
For students of Iron Curtain–era Eastern European letters, a lost treasure.
A once-subversive, picaresque life of an imagined philosopher who speaks in torrents and trades in absurdity.
Given history, it’s unfortunate that Calinescu, a Romanian novelist who published this book in 1969 and then spent his later years as an expatriate in Indiana, should have decided that his Romanian-German-Jewish protagonist, Zacharias Lichter, be “so ludicrously ugly he produces a strong impression on even the indifferent observer”—and with a “peerless Semitic nose” to boot. Lichter may be hideous and ill-dressed (to convey, Calinescu ventures, the Platonic ideal of poverty), but he is also exuberant and irrepressible, given to waving his hands around wildly while putting the finer points on arguments that are blunt-force weapons. Where Kierkegaard spoke of the elevated triad of the aesthetic, ethical, and religious spheres, for instance, Lichter intones that the proper hierarchy for our day is “circus—madness—perplexity.” That fits because, he adds, all people are clowns, if delayed in their recognition of their essential clownness; moreover, he later holds, “words no longer mean anything,” they “are mere vehicles of a reality beyond signifiers.” Lichter would be as goofy as Vonnegut’s Bokonon, a kind of pastiche Žižek, if Calinescu did not invest in his philosophy a commitment to human freedom, and for this reason it’s easy to see why the book should have been a favorite of Romanian dissidents on its publication in 1969, a dozen or so years after Calinescu began writing the tales of his antiheroical philosopher. Sometimes Calinescu/Lichter is wonderfully prescient, prefiguring Susan Sontag when he writes that in our era “a kind of a debased religion of health, of ‘normality,’ has been created, obsessed with the problem of illness.” Mostly, though, the free-wheeling Lichter, who sometimes delivers his pronouncements in indifferent poetry, lives up to what an acolyte and apprentice of his calls “a pedagogy of beguilement.”
For students of Iron Curtain–era Eastern European letters, a lost treasure.Pub Date: March 6, 2018
ISBN: 978-1-68137-195-5
Page Count: 168
Publisher: New York Review Books
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Anthony Doerr ‧ RELEASE DATE: May 6, 2014
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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