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COCO

MIGUEL AND THE GRAND HARMONY

De la Peña wonderfully expresses the impact of music on the soul, and Ramírez’s bright, expressive watercolor illustrations...

Miguel loves music and wants to be a musician more than anything, but his family prohibits him from pursuing his greatest love.

La Música, who narrates in the first person, appears at the strum of a guitar, in wedding bells, in a static-y radio, in the strains of a single violin, whirling through town, joining musicians through the plaza, rising and rising, until Miguel’s abuelita storms out of a shop and demands the musicians stop. “You’ll upset Mamá Coco!” They fumble and stumble away. La Música notices a young boy staring at the guitars in the hands of the musicians, longing for music just as she disappears. Each time she appears again, she looks for the boy and finds him, secretly watching musicians on a hidden TV in his play area, “playing” his broom, but just as she’s about to whisper her name in his ear, his family pulls him away. La Música arranges a careful series of events to help Miguel indulge in music, and the surprise ending lingers in the air like an overheard harmony. Readers don’t learn exactly why Miguel’s family has forbidden music, and though this would be puzzling in a stand-alone book, this book is a side story about the characters in Disney Pixar’s Coco. The tenderness and emotional intelligence of this story serves as a great incentive to learn more about Miguel.

De la Peña wonderfully expresses the impact of music on the soul, and Ramírez’s bright, expressive watercolor illustrations underscore the poetic prose style perfectly. ¡Que viva La Música! (Picture book. 5-8)

Pub Date: Oct. 10, 2017

ISBN: 978-1-4847-8149-4

Page Count: 48

Publisher: Disney Press

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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GRANDMA'S GIRL

This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones.

Hill and Bobbiesi send a humungous hug from grandmothers to their granddaughters everywhere.

Delicate cartoon art adds details to the rhyming text showing multigenerational commonalities. “You and I are alike in such wonderful ways. / You will see more and more as you grow” (as grandmother and granddaughter enjoy the backyard together); “I wobbled uncertainly just as you did / whenever I tried something new” (as a toddler takes first steps); “And if a bad dream woke me up in the night, / I snuggled up with my lovey too” (grandmother kisses granddaughter, who clutches a plush narwhal). Grandmother-granddaughter pairs share everyday joys like eating ice cream, dancing “in the rain,” and making “up silly games.” Although some activities skew stereotypically feminine (baking, yoga), a grandmother helps with a quintessential volcano experiment (this pair presents black, adding valuable STEM representation), another cheers on a young wheelchair athlete (both present Asian), and a third, wearing a hijab, accompanies her brown-skinned granddaughter on a peace march, as it is “important to speak out for what you believe.” The message of unconditional love is clear throughout: “When you need me, I’ll be there to listen and care. / There is nothing that keeps us apart.” The finished book will include “stationery…for a special letter from Grandma to you!”

This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones. (Picture book. 5-8)

Pub Date: April 7, 2020

ISBN: 978-1-7282-0623-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: April 1, 2020

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THE INFAMOUS RATSOS

From the Infamous Ratsos series , Vol. 1

A nicely inventive little morality “tail” for newly independent readers.

Two little rats decide to show the world how tough they are, with unpredictable results.

Louie and Ralphie Ratso want to be just like their single dad, Big Lou: tough! They know that “tough” means doing mean things to other animals, like stealing Chad Badgerton’s hat. Chad Badgerton is a big badger, so taking that hat from him proves that Louie and Ralphie are just as tough as they want to be. However, it turns out that Louie and Ralphie have just done a good deed instead of a bad one: Chad Badgerton had taken that hat from little Tiny Crawley, a mouse, so when Tiny reclaims it, they are celebrated for goodness rather than toughness. Sadly, every attempt Louie and Ralphie make at doing mean things somehow turns nice. What’s a little boy rat supposed to do to be tough? Plus, they worry about what their dad will say when he finds out how good they’ve been. But wait! Maybe their dad has some other ideas? LaReau keeps the action high and completely appropriate for readers embarking on chapter books. Each of the first six chapters features a new, failed attempt by Louie and Ralphie to be mean, and the final, seventh chapter resolves everything nicely. The humor springs from their foiled efforts and their reactions to their failures. Myers’ sprightly grayscale drawings capture action and characters and add humorous details, such as the Ratsos’ “unwelcome” mat.

A nicely inventive little morality “tail” for newly independent readers. (Fiction. 5-8)

Pub Date: Aug. 2, 2016

ISBN: 978-0-7636-7636-0

Page Count: 64

Publisher: Candlewick

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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