by Matt Haig ‧ RELEASE DATE: Feb. 12, 2019
A somewhat repetitive but often wise and inspiring self-help title strengthened by the author’s very personal experiences...
An anxiety-afflicted writer offers thoughtful tools for coping with our anxiety-provoking culture.
In this illuminating follow-up to his memoir, Reasons to Stay Alive, novelist and children’s author Haig (How to Stop Time, 2018, etc.) continues to explore how the rapid pace of our modern world can adversely affect our psyche. Early on, he asks, “how can we live in a mad world without ourselves going mad?” In bite-sized chapters, the author considers the various issues that plague us, including our increasing addiction to smartphones and social media, the emotional impact of absorbing 24-hour cycles of often grueling international news events, and our collective lack of sleep. Haig recalls his past anxiety attacks and prolonged bouts of serious depression, emotional episodes he addressed in his previous memoir, but here he reflects on the details as a launching pad for confronting these challenges. “In writing this book I have tried to look at the human psychological cost of the world by looking at the only psychology I truly know—my own,” he writes. “I have written about how we as individuals can try to stay sane within a maddening world. The fact that I have had mental illness, though a nightmare in reality, has educated me on the various triggers and torments of the modern world.” Haig’s solutions align with the current trend of mindfulness exercises—conscious breathing techniques, meditation, walks in nature, etc.—but he also expounds on the deeper benefits derived from reading good books and other activities. His prescription is to embrace the best of what modern culture has to offer and attempt to find balance rather than allow ourselves to be overwhelmed by the increasing demands of so much social and technological stimuli. As he notes, “a completely connected world has the potential to go mad, all at once.”
A somewhat repetitive but often wise and inspiring self-help title strengthened by the author’s very personal experiences and acquired insight.Pub Date: Feb. 12, 2019
ISBN: 978-0-14-313342-1
Page Count: 272
Publisher: Penguin
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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