Playful and lighthearted.
A family of turtles celebrates four seasons with a long walk around its small world.
On the first page, a bright green turtle with a jaunty head decoration, perhaps a leaf or blade of grass, observes two bright butterflies in the sunlight outside a cave. Sleepy turtles—perhaps inside the cave—wake up on the title page. The simple, rhyming text uses very few words. A repeated refrain, “Turtle walk. Nice and slow. / Here we go,” accompanies the little group of four on its journey beginning at the pond by the cave, across a stream, and through a field of flowers. They huddle in spring rain under a daffodil, walk past sunflowers and children on a sunlit playground; they watch fireflies in the dark. A repeated call and response (“Are we there yet?”/ “No”) familiar to traveling families follows the refrain throughout. Phelan’s artwork is lively and visually bright, with rich colors and impressionistic lines; the flat faces of the turtles are expressive, and their round bodies convey personality with a few brush strokes. The turtles pass an apple orchard and a pumpkin patch—including a jack-o’-lantern—as red and yellow leaves begin to fall. The winter return to pond and cave is a spirited, snowy slide. The rhyming text and bright colors will work in toddler storytime as well as for new readers. (This book was reviewed digitally with 8-by-20-inch double-page spreads viewed at 30.1% of actual size.)
Playful and lighthearted. (Picture book. 2-6)Pub Date: Oct. 6, 2020
ISBN: 978-0-06-293413-0
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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