by Matt Ridley ‧ RELEASE DATE: April 1, 1997
How do organisms whose behavior is apparently determined by ``selfish genes'' become social beings, let alone altruists and saints? Ridley, former science editor of the Economist, looks to the growing field of evolutionary psychology for answers. This new discipline draws on insights from anthropology, economics, and politics, as well as on the evolutionary trends the author explored in The Red Queen: Sex and the Evolution of Human Nature (1994). Other organisms besides humans have learned to cooperate. The social insects have long been taken as models for human society; the division of labor they exhibit is one of the key advantages of social living. Vampire bats nest in large groups, and it is common for a successful hunter to share its meal with a neighbor, in hopes that the favor will be returned at a later date. This discovery leads to a digression on the famous ``prisoner's dilemma'' of game theory; the first studies seemed to show that the selfish player invariably wins. It now appears that a cooperative player with a ``tit for tat'' strategy will outlast the purely selfish one. Communal hunting raises interesting issues, too. Surplus meat is often traded for sex with an attractive female neighbor. Early modern humans so effectively hunted large animals that many—the mammoth, for example—became extinct. Another negative effect of large-scale cooperation is war. It is evidently difficult even for highly sophisticated social beings to abandon the notion that only their own tribe is really human and that others must be exterminated. The other side of the coin is trade, which depends on mutual trust. ``Trust is as vital a form of social capital as money is a form of actual capital,'' Ridley argues in a concluding chapter in which he attempts to draw lessons for the modern political arena. A provocative look at some of the central questions about what makes us human; strongly recommended.
Pub Date: April 1, 1997
ISBN: 0-670-86357-2
Page Count: 304
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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