A radiant celebration of all things summer.
Two children cut loose on the Fourth of July.
As the book opens, the brown-skinned, dark-haired youngsters explain that “in the summer, the sun rises between buildings on our block to greet us at breakfast and it beats warmer and brighter when we venture out across steamy city sidewalks.” At noon, relief arrives as the children gleefully run through the water sprayed by a fire hydrant. On their way to a local bodega, they wind their way through a park before devouring ruby-red pieces of watermelon. Words dance across the page (“Shooka-shooka shooka-shooka”) as the kids move to the sounds of salsa music. Back at home, Grandma cooks dinner for the children, and as night falls, the youngsters scale a “rickety ladder” to the rooftop, where they wait until…“POP!” Fireworks rain down in a literal explosion of colors and words cascading over silhouetted images of the kids. Burgess’ succinct, sensory-rich, onomatopoeia-laden text beats with an infectious rhythm, while Chien’s impressionistic mixed-media artwork sets the mood beautifully on each spread, from a hazy scene where people seem to fade into the background amid the heat to the dazzling depictions of fireworks, followed by a cozy montage of Grandma getting the kids ready for bed. Landmarks indicate that the tale is set in New York City; this is an immersive tribute to the unique pleasures of an urban Fourth of July.
A radiant celebration of all things summer. (Picture book. 4-7)Pub Date: May 13, 2025
ISBN: 9780063216723
Page Count: 44
Publisher: Clarion/HarperCollins
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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