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FORTRESS EUROPE

DISPATCHES FROM A GATED CONTINENT

An unflinching look inside “an extraordinarily elaborate and complex system of exclusion and control that is simultaneously...

Military patrols using live ammunition against unarmed men, women and children scaling barbed wire fences, captains dumping their human cargo in the sea after being detected by the navy: These are scenes not from North Korea or divided Berlin, but from the modern-day European Union.

While the global economy encourages the seamless transfer of goods and money around the world, and members of the international elite feel equally at home in Paris, New York, Dubai or Shanghai, those who have the misfortune of being born in the wrong place face ever higher barriers to their freedom of movement. Carr (Blood and Faith, 2011, etc.) explores the seedy underbelly of the Schengen Area’s open-borders policy, highlighting the paradoxes and injustices that become apparent once one realizes that the “new borderless European space has been dependent on a persistent hardening of Europe’s ‘external’ frontiers.” Employing a personable, readable style, the author shares vignettes from his extensive travels along Europe’s outer reaches, from the African exclaves of Ceuta and Melilla to the Greek archipelago to the Slovakian-Ukrainian border. He chronicles his interviews with migrants living off the grid in the Moroccan scrubland, Somalis living eight to a room in the factory cities of Eastern Europe, overtaxed border-patrol agents and harried psychologists at immigration detention centers (he was often forbidden from speaking to the inmates themselves, who are often held for years at a time, unable to work or study while their cases are being adjudicated). While Carr’s sympathies are clear, and his attempts to link restrictive immigration policies to the racist fringe of European politics are not entirely successful, his focus on the human consequences of global inequality transcends ideological distinctions.

An unflinching look inside “an extraordinarily elaborate and complex system of exclusion and control that is simultaneously ruthless, repressive, devious, chaotic, and dysfunctional.”

Pub Date: Sept. 4, 2012

ISBN: 978-1-59558-685-8

Page Count: 304

Publisher: The New Press

Review Posted Online: July 28, 2012

Kirkus Reviews Issue: Aug. 15, 2012

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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