by Matthew Gavin Frank ‧ RELEASE DATE: Nov. 9, 2015
Although Frank’s riffs occasionally recall Gertrude Stein’s dizzyingly obscure Tender Buttons, overall, he’s produced a...
A journey in search of America’s tastes.
Frank (Preparing the Ghost: An Essay Concerning the Giant Squid and Its First Photographer, 2014, etc.), a former restaurant worker, eats his way across the United States with a few questions in mind: “What does a typical foodstuff associated with said state mean? How do state and history and foodstuff relate?” His “spastic, lyrical anti-cookbook” devotes a chapter to each state, a collage of impressionistic fragments that are alternately interesting and exasperating: personal anecdotes, history, geography, botany, zoology, food lore—and ending with a recipe. In Oregon, for example, besides relating the creation of the hybrid Marionberry, beloved by Oregonians, the author considers cannibalism, inspired by his discovery that the state’s motto was written by a settler whose wagon train companions headed for California, doomed to become the infamous Donner Party. Among myriad other historical details, readers will learn that Rhode Island was named by the explorer Giovanni da Verrazzano because he believed it resembled the island of Rhodes. Enough water pours over Niagara Falls every minute to make 640 million cups of coffee. New Mexico’s official state butterfly is named the Sandia hairstreak for its “zippy flight.” As for food, in South Carolina, where “racist white men…make the state’s best barbecue sauce,” the author finds perloo—“sister to jambalaya, brother to pilaf, cousin to paella, to risotto, biryani”—based on rice imported, along with slaves, from Africa. In Iowa, Frank extols the Loosemeat Sandwich, which, unlike a hamburger, “begins its life closer to being chewed and swallowed,” an appropriate dish for a landscape often chewed up by tornadoes. Boiled bread, a bagel expert tells the author, began in the Middle Ages, when Jews were forbidden to bake dough. During the Black Death, they strung boiled bread rings onto rope and fled the pestilence.
Although Frank’s riffs occasionally recall Gertrude Stein’s dizzyingly obscure Tender Buttons, overall, he’s produced a surprising, entertaining look at what Americans eat and why.Pub Date: Nov. 9, 2015
ISBN: 978-1-63149-073-6
Page Count: 448
Publisher: Liveright/Norton
Review Posted Online: July 29, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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