by Matthew Olshan ‧ RELEASE DATE: Feb. 4, 2014
Strange, otherworldly and somewhat sinister.
An eerie, dreamlike atmosphere pervades this novel of struggle and oppression.
Olshan divides the novel into three parts and moves backward chronologically, so the second part is set 21 years before the first and the third, 11 years before the second. This narrative strategy makes events and characters somewhat clearer the more readers progress into the story, though the ambience remains decidedly murky. At the center is Gus, a physician who, at the beginning of the novel, has been released from prison, a broken man after years in his cell. He wanders aimlessly to a park and to a mall in a nameless city and then is picked up by a museum worker who takes him home, sees that he gets medical care and provides a change of clothes. Shortly thereafter, he finds himself at a clinic treating “marshmen,” social pariahs who inhabit all three sections of the novel. The role of the marshmen is essentially to serve as “the other,” objects of hatred persecuted by the military establishment. The museum worker who takes Gus in turns out to be Thali, daughter of the Magheed, a local potentate who had befriended Gus earlier. Part two shifts to Gus’ point of view, and readers learn there of his relationship to Betty, a “tent girl” who, for a while, stayed with Gus while he was working as a surgeon at a field hospital. Readers also meet the arrogant and ruthless Gen. Curtis, who’s determined to wipe up the marshmen’s habitat by creating levees and hence changing the prevailing ecosystem. In the final section, readers meet the earlier versions of both Gus and Curtis, now merely a major, and also get acquainted with the early stages of the relationship among Gus, Thali and her father, the Magheed.
Strange, otherworldly and somewhat sinister.Pub Date: Feb. 4, 2014
ISBN: 978-0-374-19939-5
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 19, 2013
Kirkus Reviews Issue: Nov. 1, 2013
Share your opinion of this book
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Awards & Accolades
Likes
341
Our Verdict
GET IT
New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
Share your opinion of this book
More by Max Brooks
BOOK REVIEW
by Max Brooks
More About This Book
BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
Likes
65
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Share your opinion of this book
More About This Book
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.