An energetic presentation of our complicated relationship with God, whom we have welcomed with “open arms, congressional...
Turner (Hear No Evil: My Story of Innocence, Music, and the Holy Ghost, 2010, etc.) surveys the American molding and remolding of God to fit our often curious convictions, a tradition as natively ingrained as “playing baseball, cruising strip mall parking lots, and popping antidepressants.”
God is ambiguous and protean, meaning many things to many people—“Jehovah, Jesus, or Allah to believing in Nature, a ‘Spirit Mother,’ or some other grand presence that usually enjoys silence and book clubs”—writes the author in this engaging history that turns a penetrating eye on how God has been shaped to fit the varieties of faith in America, a land in which nearly 80 percent of us identify with a God. This brand of the divine began with the Puritans and their sui generis God—“a sovereign, doctrinally stout, damnation-prone deity”—celebrating a Calvinist embrace of our personal roles in education and enterprise (namely, worldly goods), which spawned Roger Williams’ reactive take on the protection under law of all religious sects. Jonathan Edwards promoted for his followers a God of glory, beauty and divinity, though also one “ready to toss their meaningless sin-ridden souls into a black hole of fiery torment.” Thomas Jefferson, unsurprisingly, magnified God’s ethical wisdom, yet there was also a God of slavery, as well as a Quaker abolitionist God. Turner’s writing has the quality of a primer, with clear language and ideas that are bandied about without getting bogged down in agnostic and atheistic approaches. The author also displays a playfulness that doesn’t obscure where he falls on doctrinal issues: “Evangelicals are quick to give Jesus the glory when your plan succeeds, but it is never Jesus’s fault when your plan fails. Because Jesus never fails. You do. Somehow, a large portion of America’s evangelicals have become convinced that this process is the ideal Christian life.”
An energetic presentation of our complicated relationship with God, whom we have welcomed with “open arms, congressional protection, free speech, and tax-exempt status.”Pub Date: Aug. 19, 2014
ISBN: 978-1455547340
Page Count: 256
Publisher: Jericho Books/Hachette
Review Posted Online: June 11, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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