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AUBREY BEARDSLEY

A BIOGRAPHY

A portrait of the artist as a young decadent. Though tuberculosis killed Beardsley at the age of 25 in 1898, by then he had already attained success as an eye-catching illustrator and celebrity as the definitive graphic artist of decadence. As Sturgis (Passionate Attitudes: The English Decadence of the 1890s, not reviewed) shows, Beardsley’s accomplishments resulted from an intense dedication to his work and the sedulous cultivation of a doomed dandy’s (ultimately well-justified) pose. For all his affectations, his family was thoroughly middle-class, though his mother had an unconventional streak. Before he began studying drawing, their straitened finances forced him to take a position in London as a clerk. Although Beardsley served an apprenticeship with the Pre-Raphaelites, particularly Edward Burne-Jones (William Morris thought he had talent only for drapery), Sturgis also notes Whistler’s influence, not only through his japonisme and the “Ten O’Clock Lecture,” but also through his extravagant dandyism and instinct for public relations. Beardsley became famous for his erotic and cruel illustrations for Oscar Wilde’s Salome, yet despite his independent achievement as art editor of the Yellow Book, his fate was linked with Wilde’s scandalous downfall. Although he withstood the Victorian backlash and being fired from the Yellow Book, his death from tuberculosis—the era’s epitomizing disease—in truth capped his career. The notable company Beardsley kept yields numerous interesting anecdotes and bon mots from Wilde, Whistler, Frank Harris, Max Beerbohm, and W.B. Yeats, though Sturgis always qualifies, and sometimes must correct, their unreliable testimonies. With occasionally arch prose, the author places Beardsley as a significant presence in a larger group. The only drawback to Sturgis’s biographical approach is his failure to examine the importance of sexual obsession and satire to Beardsley’s artistic persona. A life rendered with rich detail and sly touches—but not deeply. (16 pages b&w photos, not seen)

Pub Date: Jan. 21, 1999

ISBN: 0-87951-910-X

Page Count: 405

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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