A delicious but sometimes disappointing retelling of the legendary page-turner.
From an American writer (My Year with the Stork Club, 1993, etc.) yet published first in Britain: a wickedly clever and
witty reworking of Du Maurier's famous novel, a takeoff that falters only when Rebecca herself appears. The richly allusive story narrated by Amy, a writer and widow of a young man who committed suicide, not only reinterprets the familiar narrative but offers as an engaging subtext a sharp-eyed satire of British literary and country-house life. Freely's beginning echoes the original as Amy relates the dream in which she returns to the now burned-down Beckfield and is prompted to tell her tale. She describes how on Mallorca she met the famous writer and critic Max Midwinter, while acting as rich Mrs. Van Hopper's companion. Max, as handsome and moody as his predecessor, soon proposes marriage, and the smitten Amy accepts. The two fly back to England to meet Max's family. This wealthy family and household, however, are not quite the same as Manderley's. Nor is the late Rebecca, Max’s first wife. Max has two children, and the housekeeper, Danny, unlike the sinister Mrs. Danvers, is relentlessly perky and into analysis and tarot cards. She is also the keeper of the flame—that is, the late Rebecca's literary flame: Freely's Rebecca was an American poet famous for her novel The Marriage Hearse, which made her a feminist icon. Amy regarded it then as the thinly disguised autobiography of a sensitive woman "driven to the edge by her husband and his powerful family"; soon after its publication Rebecca disappeared in Caribbean waters, an apparent suicide. While Amy struggles to adjust to Max's eccentric family, his children's hostility, and his own destructive behavior, she also tries to learn the truth about Rebecca. Which she does, though the denouement is neither as chilling nor convincing as Du Maurier's.
A delicious but sometimes disappointing retelling of the legendary page-turner.Pub Date: March 1, 2000
ISBN: 0-89733-477-9
Page Count: 304
Publisher: Academy Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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