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THE HAND ON THE WALL

From the Truly Devious series , Vol. 3

A richly satisfying, Poirot-like ending for Johnson’s inspired and inspiring teen sleuth.

The final, riveting chapter of the Truly Devious murder series.

The initial incident in the series involved the 1936 abduction of newspaper tycoon Albert Ellingham’s wife and daughter; the present volume probes several unsavory events that transpired afterward, including Ellingham’s own death in 1938, in a sailing accident on Lake Champlain, and the recent immolation of University of Vermont history professor and Ellingham mystery enthusiast Dr. Irene Fenton. Fenton was introduced to protagonist and contemporary “Ellingham Sherlock” Stevie Bell in The Vanishing Stair (2019). As Stevie gets closer to making good on her resolution to solve the Ellingham case’s past and present riddles, Johnson makes the most of the exclusive institution’s remote, wooded mountain locale, provocatively setting the climax of Stevie’s investigations during the throes of a cataclysmic blizzard. Stevie and her motley crew of misfit high school geniuses are stranded à la Agatha Christie with members of the Ellingham Academy administration, who may have a stake in the revelations of several secrets linking the Ellingham kidnappings with present-day murders. Throughout this intricately woven, fast-paced whodunit, Johnson demonstrates how proximity to wealth and power can mold and bend one’s behavior, whether with good or—here largely—devious intent. The brainy secondary characters' quirky talents and interests complement Stevie's sleuthing skills; while mostly White, they include diversity in socio-economic background, mental health challenges, physical disability, and sexual orientation.

A richly satisfying, Poirot-like ending for Johnson’s inspired and inspiring teen sleuth. (Mystery. 14-18)

Pub Date: Jan. 21, 2020

ISBN: 978-0-06-233811-2

Page Count: 320

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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