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SOMEWHERE ONLY WE KNOW

Charming and swoonworthy.

A K-pop star finds love and adventure with an aspiring photographer in this modern retelling of Roman Holiday.

Lucky, a Korean-American K-pop star suffering an existential crisis over her career, plays hooky one night after a big concert in Hong Kong, escaping her handlers and bodyguard in search of a hamburger. Woozy on anti-anxiety medication and sleeping pills, she loses her way only to be rescued by Jack, an attractive stranger and fellow Korean-American who at first has no idea who she is and is struggling through his own personal crisis over whether to study banking to please his parents or pursue the photography he’s so passionate about. As Lucky and Jack adventure through Hong Kong, they begin to fall for one another, but their budding connection is threatened by the lies they’ve told one another: Lucky hides her real identity, pretending to be an ordinary girl who is on tour with her church choir, while Jack has secret plans to sell photographs of their day together to a tabloid to help launch his career. Narrated in short chapters that alternate between Jack’s and Lucky’s first-person perspectives, Goo (The Way You Make Me Feel, 2018, etc.) develops each character’s voice with clarity. A quick-paced, entertaining plot, witty banter, and expert characterization make this a light and satisfying read, and a wealth of local details effortlessly immerse the reader in the worlds of Hong Kong and K-pop stardom.

Charming and swoonworthy. (Fiction. 14-18)

Pub Date: May 7, 2019

ISBN: 978-0-374-31057-8

Page Count: 336

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 10, 2019

Kirkus Reviews Issue: May 1, 2019

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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