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HIGGLETY PIGGLETY POP!

OR THERE MUST BE MORE TO LIFE

Maurice Sendak's books have been, right along, projections of concepts rather than pictorializations of plots, so that it is almost gratuitous to hail his arrival as an author; but this tidy little package, despite its size and shape, is not a picture book, nor is it, like Hector Protector an elaboration of Mother Goose for little children - there is more to life, and his supple style matches his consummate skill as an artist. "You have everything," the potted plant reminds Jennie the terrier as she prepares to leave home," and Jennie replies, "There must be more to life than having everything." What she lacks, Jennie discovers when she applies for the Job of leading lady in the World Mother Goose Theatre, is experience. As the new nurse hired to feed Baby, she is a failure, and, she isn't even eaten by the lion like the other unsuccessful nurses, but she does stick her head in the lion's mouth, and that, as someone says, is an experience! She also saves Baby by inadvertently guessing her name—Mother Goose—and it is Baby-become-Mother-Goose who appears to welcome Jennie as the leading lady in "Higglety Pigglety Pop;" the play follows (in pictures). If there is more to life than having everything, there, is also more to life than having nothing; Jennie's farewell letter to her old master is written from Castle Yonder. In synopsis, this sounds both more and less ambiguous than it is — you can't compress the reverberations into a review, and certainly not the ominous illustrations; it may by-pass some adults because Sendak speaks directly to the elastic imagination of children.

Pub Date: Oct. 11, 1967

ISBN: 006028479X

Page Count: 92

Publisher: Harper & Row

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Oct. 1, 1967

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LITTLE BLUE TRUCK'S VALENTINE

Little Blue Truck keeps on truckin’—but not without some backfires.

Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.

His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.

Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)

Pub Date: Dec. 8, 2020

ISBN: 978-0-358-27244-1

Page Count: 20

Publisher: HMH Books

Review Posted Online: Jan. 18, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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