"When Papa was away at sea/ And Mama in the arbor/ Ida played her wonder horn/ to rock the baby still/ but never watched." Sendak's latest picture book recalls Where the Wild Things Are in the way it plunges us into the stream of a child's life, without a preliminary word. As in The Wild Things and In the Night Kitchen, the words throughout are few, reverberant, and rhythmic in a fluent, self-contained way that never deigns, here, to quite fulfill our ears' expectations. Here the poetry is more subtly charged, suggestive, and almost hypnotic—an effect that is reinforced by these more complex pictures, which abandon cartoons to communicate and interact with the story from within the traditions of painting. What happens when Ida is not watching is that two faceless, hooded figures—familiar from previous Sendak work, as are other images here—appear at the window and "pull the baby out." The monstrous, stating changeling they leave in her place turns to ice in Ida's arms, whereupon she dons her mother's yellow raincoat and flies off—literally, though it looks more like floating, against agitated clouds, lost and awkward in the elaborate golden folds of some old drapery master's madonna cloak. (One wonders, at times, how these art-historical references relate to the emotional content of the story.) In any case, Ida is off to retrieve her sister from the goblins, who would marry the baby to one of their nasty company. But then the sinister goblins prove to be only babies, and Ida charms them and makes them "dancing sick" with a captivating tune. (The dancing goblin babies' expressions, from innocent delight to one sly smirk, are a study in themselves.) Returning safe through tranquil soft-toned countryside, Ida seems to be heading toward a Rackhamesque tree about to pounce—but not so. Butterflies flit softly around the tree, and off to the left behind the path Ida has passed, Mozart sits serenely in a little shelter, unremarked. Scarcely a spread is without a vista of the sea, with a ship in the distance and a storm that is most violent at the kidnapping and gives way to soft blue skies at the end. There's much to see, much to feel, much to follow, and all of it beautifully integrated. Whether it has the direct, elemental strength of Sendak's previous picture books is less certain.
Pub Date: April 22, 1981
ISBN: 0060255234
Page Count: 40
Publisher: Harper & Row
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: May 1, 1981
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Full of puzzles to think about, puns to groan at and references to children’s book titles, this solid, tightly plotted read...
When a lock-in becomes a reality game, 12-year-old Kyle Keeley and his friends use library resources to find their way out of Alexandriaville’s new public library.
The author of numerous mysteries for children and adults turns his hand to a puzzle adventure with great success. Starting with the premise that billionaire game-maker Luigi Lemoncello has donated a fortune to building a library in a town that went without for 12 years, Grabenstein cleverly uses the tools of board and video games—hints and tricks and escape hatches—to enhance this intricate and suspenseful story. Twelve 12-year-old winners of an essay contest get to be the first to see the new facility and, as a bonus, to play his new escape game. Lemoncello’s gratitude to the library of his childhood extends to providing a helpful holographic image of his 1968 librarian, but his modern version also includes changing video screens, touch-screen computers in the reading desks and an Electronic Learning Center as well as floor-to-ceiling bookshelves stretching up three stories. Although the characters, from gamer Kyle to schemer Charles Chiltington, are lightly developed, the benefits of pooling strengths to work together are clear.
Full of puzzles to think about, puns to groan at and references to children’s book titles, this solid, tightly plotted read is a winner for readers and game-players alike. (Mystery. 9-13)Pub Date: June 25, 2013
ISBN: 978-0-375-87089-7
Page Count: 304
Publisher: Random House
Review Posted Online: April 2, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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