by Maurizio Serra ‧ RELEASE DATE: Nov. 19, 2024
A rewarding essay in modern Italian intellectual history as embodied by one of its most curious figures.
A searching life, by diplomat and historian Serra, of Italy’s arguably most enigmatic writer.
Born Curt Suckert to a middle-class German father, Curzio Malaparte cultivated aristocratic pretenses and was narcissistic, contrary, and ungovernable. He was also a brilliant writer and subtle thinker with a genius for being on the outs with whoever was in power and for making enemies; as Serra puts its, he “almost always ended up on the wrong side, with a love for lost causes (if not losers) that is hard not to admire.” That depends on your viewpoint: Malaparte championed Mussolini, after all, if in a qualified way, with a rather confusing political agenda that for a time embraced the strange-bedfellow fascismo rosso, “red fascism,” suppressed the minute Mussolini actually came to power. Malaparte did much as he pleased all the same, and, surprisingly, he was only occasionally in trouble for it: he self-published sometimes subversive books, built the modernist house made famous in Jean-Luc Godard’s film Contempt, and went to the Russian front to report on how the war was going for the Nazis (who weren’t pleased by his conclusions), all capped off by his magnificently eccentric memoir-cum-war novel Kaputt. To this day Malaparte defies easy categorization: Che Guevara and European neofascists alike read his political essays; American intelligence agents gave him a pass even as top Italian communists befriended him; and at the end of his life, briefly dazzled by Mao Zedong, he traveled to China to see yet another revolution in the works. In this ambitious corrective to Malaparte’s self-mythologizing, Serra writes that he was consistent in at least one way: “Malaparte does not take anyone’s side, never forgets his role as an observer and often as a voyeur, in a Proustian sense.”
A rewarding essay in modern Italian intellectual history as embodied by one of its most curious figures.Pub Date: Nov. 19, 2024
ISBN: 9781681378701
Page Count: 600
Publisher: New York Review Books
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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by Bob Woodward ‧ RELEASE DATE: Oct. 15, 2024
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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