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OUT OF ORDER

ARROGANCE, CORRUPTION, AND INCOMPETENCE ON THE BENCH

A one-stop store of conservative complaints about the judiciary; in trying to eliminate lemons, the author mixes oranges and apples. “We need more public criticism and exposure to hold judges accountable for their actions,” says Boot, who is editorial features editor for the Wall Street Journal. Citing numerous examples culled from his years of reporting, he takes aim at what he identifies as judicial impropriety: favoring cronies, following ideological prejudice instead of legal precedent, permitting juries to impose enormous liability judgments, going easy on criminal defendants, usurping executive and legislative powers, refusing to follow the voters’ will, and engaging in financial corruption. He lays blame on the judicial selection process, which rewards political loyalty above legal competence; at politicians who give judicial nominees too little scrutiny; and at the voters, who seldom pay any attention to elected judges’ performance. Although Boot makes no secret of his rightward tilt (he thinks Brown v. Board of Education was bad constitutional law, wants to discard the exclusionary rule on illegally obtained evidence, and seems never to have met a corporate defendant he didn’t like), he’s intellectually honest; for example, he criticizes conservative judges who have struck down affirmative-action programs crafted by state governments, and even rebukes some of the ideas propounded by Robert Bork, who wrote the book’s foreword. But his foundation for lumping together examples of utterly different behaviors—that the courts “are trying to provide a remedy for every conceivable ‘victim’ “—is weak. In the end, the only element tying together the judge who takes bribes and the one who gives pro-plaintiff jury instructions in a product-liability case is simply that Boot dislikes both forms of conduct. Neither a screed nor a “balanced” report, this well-written and often witty book should give zest to those who agree with Boot’s biases and food for thought to those who disagree.

Pub Date: May 27, 1998

ISBN: 0-465-05432-3

Page Count: 288

Publisher: Basic Books

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 1998

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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