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EDSEL MACFARLAN'S NEW CAR

Edsel, a red-headed, blue-eyed boy, orders a life-sized model car in the mail. His room is filled with toy cars, auto...

Automotively named Edsel McFarlan loves model cars and has a thrilling high-octane adventure when the toy of his dreams arrives in this visually zippy app that ultimately fails to kick into high gear on the interactive lane.

Edsel, a red-headed, blue-eyed boy, orders a life-sized model car in the mail. His room is filled with toy cars, auto posters, hubcaps and license plates. In the slickly illustrated pages of the app, based on a 2010 book, Edsel's delighted grins and body language lovingly capture the laser-focused obsession of a young boy in love with a hobby. When Edsel finishes his new model and takes it for a spin through town, the story amusingly follows Edsel through (seemingly harmless) trips through back yards, across an intersection and into a construction site. The intentionally simple and direct text ("The steering wheel turned the front tires") are a counterweight to the packed illustrations, which feature many background details, characters and life-like clutter. If only the app was as attention-oriented. The too-straightforward adaptation features narration and displays the names of objects on screen aloud, but that's about the extent of its interactivity. Such a motion-filled story could have benefited from a little animation or at least the inclusion of sound effects. (Pages that feature sound effects like "SNAP" or "KAR-EEK" spelled out in text cry out for aural accompaniment.) 

Pub Date: June 8, 2011

ISBN: N/A

Page Count: -

Publisher: Auryn

Review Posted Online: July 20, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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