A globe-spanning collection that offers a keyhole view of mostly doomed relationships.
A German author makes his U.S. debut with 27 portraits of love dying on the vine.
Biller explores the quiet tragedy of relationships by focusing on those singular moments when spaces between lovers become chasms. As is the case of a pining lover and a reluctant fiancée, in “The Mahogany Elephant,” the sense of inevitable sorrow is palpable throughout the book. In “Seven Attempts at Loving,” the love of a pair of Czech nationals, who have been trying to stay together since childhood, survives the revolution but not the passage of time. Passion remains elusive for the book’s mismatched misanthropists who squander true love. One might think the brevity of the stories would work against them, but Biller has obviously taken to heart the lesson that less can be more. The intangible brunette who calls her contemptuous boyfriend “Tom-Cat,” in “The Maserati Years,” is defined only by two voice mails in which she first claims pregnancy and subsequently dismisses him: “Hi, had a fright? Just wanted to see how cold you really are. Don’t ever call me again. Miaow.” In the three pages of “Melody,” Biller captures the vacillating rhythms and insanity of love with the story of Thomas, who mourns his dead wife, converts to Judaism, marries a doppelgänger, has a child and drives his car into the East River before settling down with Melody, the woman he should have been with in the first place. “They’re doing fine,” Biller writes, and it’s hard not to hope that it’s true.
A globe-spanning collection that offers a keyhole view of mostly doomed relationships.Pub Date: June 1, 2008
ISBN: 978-1-4165-7265-7
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2008
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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