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RED LOVE

THE STORY OF AN EAST GERMAN FAMILY

In this winner of the European Book Prize, Leo not only produces a moving family memoir, but also a probing exploration of...

A prize-winning German journalist’s account of how he revisited his family’s socialist past to find answers about his parents' relationship to him and to each other.

The self-proclaimed “bourgeois” of his family, Berliner Zeitung editor Maxim grew up in East Berlin. His parents, Anne and Wolf, were rebels who often made him wish “they could be as normal as all the other parents I knew.” Part of what made them different was that Anne was from West Germany and Wolf, from the East. Gerhard, Anne’s father, fought with the French Resistance and then returned home after the war to build the East German state. By contrast, Werner, Wolf’s father, was a French prisoner of war who returned home a broken man who found his balm in East German socialism. Following the idealism of her father, Anne developed a desire to “put her life at the service of the [Socialist] Party” and became a journalist like Gerhard. Eventually, she abandoned her career when she could not tolerate the censorship she witnessed or the outright lies she saw published, and she retreated into university life. Yet, however disenchanted she was with the East German state, “she remain[ed] a Socialist deep down.” Wolf had a more openly critical attitude toward prevailing political ideology. An artist, he expressed his opinions through his work, nervously aware of the tightrope he walked between ideological conformity and resistance. When change finally came to East Germany in 1989, Anne was able to distance herself from the “unhappy [socialist] love of her youth” thanks to her academic training. But Wolf “missed the security he had previously found so constricting,” and the “long love and long argument” that had been his marriage to Anne finally came to end.

In this winner of the European Book Prize, Leo not only produces a moving family memoir, but also a probing exploration of the human need to believe and belong.

Pub Date: April 15, 2014

ISBN: 978-1-908968-51-7

Page Count: 288

Publisher: Pushkin Press

Review Posted Online: Feb. 12, 2014

Kirkus Reviews Issue: March 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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