The Venetian Renaissance painter Tintoretto had a daughter named Marietta, whom he dressed in boy’s clothing so she could accompany him freely. In this story, Marietta loves her father’s gift of a box of paints, brushes, and chalks. A sea captain comes to Tintoretto to have his portrait painted, and Marietta notices the captain’s slave boy, Piero, sketching on the street below. The two discover their mutual delight in drawing, but Marietta realizes that Piero will never have a chance to be an artist if he sets sail again. So she gives him her paint box and her boat so he can return to his family. East’s beautiful paintings range from near-photographic representations of the streets and canals of Venice to dreamlike visions where Marietta and Piero’s faces glow in a luminous landscape of ships, flora, and fauna. Piero is an invention, but Marietta was real, an accomplished artist who died in childbirth at age 34. A fanciful and romantic story, vibrantly painted, providing children an opportunity to think about the making of art, the making of gender roles, and the making of history. (author’s note) (Picture book. 7-10)
Pub Date: May 1, 2003
ISBN: 1-55041-801-7
Page Count: 32
Publisher: Fitzhenry & Whiteside
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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