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EVERY BREATH WE TAKE

A BOOK ABOUT AIR

A prettily packaged bit of environmentalism for the youngest readers from a writing team of children’s health advocates.

Sentences of large-print text and colorful stock photographs move from the ubiquity of air to pollution to fighting pollution.

After an upbeat foreword from actor Julianne Moore, who mentions, among other things, that “kids are smart,” it is a letdown to realize that most of the pages that follow are generalized truisms about air that only the youngest children may not have grasped—that air goes out “when a baby screams”; that all creatures and all plants need air; that wind is moving air; that air carries sounds and smells. The book then amps up the complexity with the statement that “air looks and smells bad when it is dirty. That’s called air pollution.” Nevertheless, an older child might enjoy reading the book to a younger one and explaining such photographs as one with solar panels and another showing a child using an inhaler. Both text and photographs are winners in terms of gender equality, multiculturalism, and ethnic diversity. After the final comparison of clean air to love, there are two pages with a little more specific information, such as a simple explanation of air’s composition and the cool fact that children take about twice as many breaths as adults. However, even here there are too many sentences reiterating the fact that clean air is important.

A prettily packaged bit of environmentalism for the youngest readers from a writing team of children’s health advocates. (Informational picture book. 3-7)

Pub Date: March 8, 2016

ISBN: 978-1-58089-616-0

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Dec. 21, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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TILDA TRIES AGAIN

From the Big Bright Feelings series

An accessible entrance into the world of social-emotional skills.

What do you do when the world turns upside down?

Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.

An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)

Pub Date: March 1, 2022

ISBN: 978-1-5476-0822-5

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: Dec. 26, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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I'LL LOVE YOU FOREVER

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...

A polar-bear parent speaks poetically of love for a child.

A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)

Pub Date: Sept. 1, 2017

ISBN: 978-1-68010-070-9

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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