by Maya Rodale ‧ RELEASE DATE: April 26, 2022
An energetic and bold tale of one of history’s most enterprising journalists.
Indomitable investigative journalist Nellie Bly spends 10 days in a notorious asylum in Rodale’s historical novel.
It’s 1887, and after four months spent knocking on doors on Newspaper Row, aspiring journalist Nellie Bly has yet to take New York City by storm. The ever determined 23-year-old is especially good at asking questions and believing in herself, but so far all her tenacity has gotten her is a recommendation to write for the ladies’ papers. It doesn’t help that every prominent male editor in the city has the same belief—women are too delicate, too emotional, too inaccurate to efficiently report the news. So when Nellie stumbles upon an underground women’s group called the Ladies’ Ordinary, she's thrilled to discover a secret weapon that will help her prove her worth. There, Nellie meets a crew of women journalists who introduce her to the world of stunt reporting: “Nothing sells like a crusade and a girl in danger.” With her friends’ help, Nellie meets with Col. John Cockerill, the World's editor, and convinces him to hire her as a stuntwoman reporter who will infiltrate the infamous Blackwell’s Island insane asylum for women. Easily enough, Nellie finds herself en route to the island, but what awaits her in the middle of the East River is more dreadful than she dared prepare for. When one week turns into 10 days, and with the Sun's Sam Colton hot on her story’s tail, Nellie wonders if she’ll be able to survive her dire circumstances long enough to relay her exposé to the world. While Rodale takes some liberties—for example, Blackwell’s darkly humorous “Prayer Girl” is based on one line of the real Nellie Bly’s “Ten Days in a Mad-House” (1887)—all her main characters are inspired by real historical figures. Rodale’s affinity for writing about powerful women is clear, and she aptly records the lengths they would go to in order to overcome their societal boundaries: “There were all kinds of madness, she supposes, and hers was daring to dream.”
An energetic and bold tale of one of history’s most enterprising journalists.Pub Date: April 26, 2022
ISBN: 978-0-593-43675-2
Page Count: 336
Publisher: Berkley
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
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by Maya Rodale
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by Maya Rodale
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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