Next book

THE MAD GIRLS OF NEW YORK

An energetic and bold tale of one of history’s most enterprising journalists.

Indomitable investigative journalist Nellie Bly spends 10 days in a notorious asylum in Rodale’s historical novel.

It’s 1887, and after four months spent knocking on doors on Newspaper Row, aspiring journalist Nellie Bly has yet to take New York City by storm. The ever determined 23-year-old is especially good at asking questions and believing in herself, but so far all her tenacity has gotten her is a recommendation to write for the ladies’ papers. It doesn’t help that every prominent male editor in the city has the same belief—women are too delicate, too emotional, too inaccurate to efficiently report the news. So when Nellie stumbles upon an underground women’s group called the Ladies’ Ordinary, she's thrilled to discover a secret weapon that will help her prove her worth. There, Nellie meets a crew of women journalists who introduce her to the world of stunt reporting: “Nothing sells like a crusade and a girl in danger.” With her friends’ help, Nellie meets with Col. John Cockerill, the World's editor, and convinces him to hire her as a stuntwoman reporter who will infiltrate the infamous Blackwell’s Island insane asylum for women. Easily enough, Nellie finds herself en route to the island, but what awaits her in the middle of the East River is more dreadful than she dared prepare for. When one week turns into 10 days, and with the Sun's Sam Colton hot on her story’s tail, Nellie wonders if she’ll be able to survive her dire circumstances long enough to relay her exposé to the world. While Rodale takes some liberties—for example, Blackwell’s darkly humorous “Prayer Girl” is based on one line of the real Nellie Bly’s “Ten Days in a Mad-House” (1887)—all her main characters are inspired by real historical figures. Rodale’s affinity for writing about powerful women is clear, and she aptly records the lengths they would go to in order to overcome their societal boundaries: “There were all kinds of madness, she supposes, and hers was daring to dream.”

An energetic and bold tale of one of history’s most enterprising journalists.

Pub Date: April 26, 2022

ISBN: 978-0-593-43675-2

Page Count: 336

Publisher: Berkley

Review Posted Online: Jan. 25, 2022

Kirkus Reviews Issue: Feb. 15, 2022

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Next book

MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

Close Quickview