A heartfelt tribute to family, culture, and the everyday magic that connects us.
A child and her abuela spend cherished time together.
The girl affectionately calls her grandmother a bruja—a witch—because of the magic that seems to infuse her every activity. Whether growing a garden rife with “rich beds of yuca” or whipping up flan that tastes of “sugary kisses and caramel dreams,” Abuela performs each task with such confidence and grace that witchcraft seems the only possible explanation. Eager to uncover Abuela’s secrets, the girl pays close attention to everything she does; she longs to discover her own magic, but Abuela gently counsels patience. She reveals that magic has always been within her, passed down through generations from their Taíno ancestors. Slowly, the girl begins to understand. Cuevas and Alvarez Gómez beautifully capture the tender bond between grandmother and granddaughter, set against the vibrant backdrop of Puerto Rico. Melodic language blends with illustrations bursting with color and detail, such as reinitas (black and yellow birds) and the güiro (a traditional Puerto Rican instrument). Tastes, sounds, scents, and feelings come alive on every page; this is a tale that celebrates cultural heritage and encourages readers to find magic in the quotidian. Abuela is brown-skinned with curly black-and-gray hair, while her granddaughter has light brown skin and curly black hair. Publishes simultaneously in Spanish.
A heartfelt tribute to family, culture, and the everyday magic that connects us. (glossary, recipes) (Picture book. 4-9)Pub Date: Aug. 12, 2025
ISBN: 9780593480632
Page Count: 40
Publisher: Knopf
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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