An insouciantly witty celebration of the mingled folly and grandeur of physical love and its discontents. The best so far...
The Cuban-born author's fifth novel (and third in English translation, following In the Palm of Darkness, 19xx, and The Messenger, 19xx) depicts in profuse erotic detail the temptations to which a middle-aged married couple separately succumb during a Caribbean vacation voyage.
Fernando, a seemingly stodgy accountant, and his lively (slightly older) wife Celia journey around the islands, en route to Martinique, in the wake of their only daughter's marriage and their own aroused awareness of time passing—and mortality. He dallies with a sultry fellow passenger, Julieta (amusingly enough, she says she's a harpist), while indulging rather less celestial memories of his many happy couplings with Celia, as well as the occasional past infidelity. Celia, meanwhile, remembers her own satisfying sexual career (Fernando doesn't know she has carried on an extended affair with her importunate lover Agustin) and enjoys a fling with a remarkably endowed black boatman. Meanwhile, the seductive rhythms of the bolero are continually heard in the novel's background, and further counterpoint is provided by a series of letters addressed to an unidentified `Angela` by her lover `Abel.` The mystery of their correspondence, and its connection to the relationship of Fernando and Celia, is deftly revealed in the complex denouement—which also explains the enigmatic Julieta's true nature. Montero also deepens the story’s agreeably bizarre texture with frequently hilarious comparisons of the varieties of human sexual response to the mating rituals of numerous other lovestruck creatures (informing us, for example, that `the curved claws of . . . male owls are out of control during coitus, they leave the soft backs of their mates permanently bent`).
An insouciantly witty celebration of the mingled folly and grandeur of physical love and its discontents. The best so far from one of Latin America's most impressive recent exports.Pub Date: July 1, 2000
ISBN: 0-06-095290-3
Page Count: 128
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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