An intimate, lyrical story about an ancient artistic tradition.
A child of South Asian descent describes what henna means to them.
The night before a wedding, the young narrator stretches out on the floor while their mother applies henna designs to their hands. With each design, Mama shares memories and speaks of “ancestors long gone.” After Mama finishes, the protagonist must be careful to protect the still-wet ink. The child goes to bed in a pair of gloves and wakes up in the morning, worried about how the now dry designs fared overnight. To their delight, the pictures remain intact even after the child scrubs and chips off the dry flakes on top. The narrator arrives at the wedding ready to celebrate and to show off their hands to their grandparents. The text reads like free-verse poetry, skillfully weaving simple, child-friendly language into vivid, multisensory imagery; the child calls the henna “A garden in my hands, / I will tend for days.” Dominated by intricate patterns and hues of purple and green, the digital art positively sings. Many readers of South Asian heritage will smile with recognition at Mama and the narrator’s attempts to avoid smudging the designs; we see Mama help the little one sip through a straw and brush the child’s teeth. Those less familiar with the tradition can learn more from the informative, deeply personal author’s note. (This book was reviewed digitally.)
An intimate, lyrical story about an ancient artistic tradition. (Picture book. 3-7)Pub Date: April 18, 2023
ISBN: 978-0-593-42710-1
Page Count: 40
Publisher: Knopf
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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